Dean of Collarts
As the Dean of Collarts, Ben O’Hara provides leadership and oversees the academic and operational running of the college.
Ben has taught music industry business at a number of institutions across Australia, including the Sydney Institute of TAFE Ultimo, The University of Tasmania, EORA College, and JMC Academy in Sydney and Melbourne. His most recent position saw him working as the Head of Higher Education (Music Business) at Box Hill Institute in Melbourne.
Ben has a broad range of experience in the music industry, having worked in music publishing and licensing as well as event and artist management. He has also been a performer for over 15 years, and runs his own booking agency. Ben also runs thebiz.com.au, an online music business resource centre and has published six textbooks on the music industry.
Ben holds a Bachelor of Arts in contemporary music (Honors) from Southern Cross University and a Masters of Business in Arts and Cultural Management from The University of South Australia. He is also currently completing a PhD at Monash University.
PhD (algorithmic composition), BCompSc, BMus, DipEd
Dr Paul Doornbusch is the Associate Dean. As well teaching on the Audio Engineering program and with more than ten years of international practice and teaching experience, Paul is regarded as one of Australia’s major players in the electronic and computer music scene. He is a composer, sonologist, researcher and occasional performer who works largely with algorithmic composition systems for traditional instruments and electronics.
Paul’s work has been presented internationally in concerts throughout Europe, the US, Canada, and Australasia, and ranges from compositions involving instruments and electronics to media works. Paul successfully completed a major research project – to reconstruct and document the music played by Australia’s first computer (CSIRAC) – while he was a composer-in-residence at the Computer Science department of the University of Melbourne.
Head of Industry and Scholarship
Originally from Los Angeles, CA, Alicia has worked in the American entertainment industry in various capacities for 15 years. She started her career in the film and television sector, working for William Morris Endeavor talent agency in Hollywood. From there she joined Ashton Kutcher, operating as his right hand during the early days of Punk’d and That 70′s Show, and also worked in the development, production and execution of Beauty and the Geek, as well as several feature films.
Alicia then segued into music, first with a stint working for industry mogul Irving Azoff’s empire (during his union and CEO appointment at Live Nation and Ticketmaster), then worked on the release of The Eagles’ Long Road out of Eden record and subsequent tour, as well as working Van Halen’s reunion tour with David Lee Roth.
Following this, Alicia moved into the country music realm, operating as country music legend Dwight Yoakam’s day-to-day manager for several years. During this time she also dabbled with legacy artists, working with The Doors Music Company on various projects for The Doors and Janis Joplin, as well as working with psy-trance/electronica duo Infected Mushroom on their release of Legend of the Black Shawarma.
Alicia has also served as Director of Development for LoFi Music, a music licensing company in Venice Beach, representing catalogues from around the world, including GaGa Music out of Australia. Since 2014, Alicia has been working out of Melbourne consulting Australian artists who wish to break overseas, and co-managing Newmarket Studios with engineer/producer Callum Barter.
Alicia holds a Bachelor of Science in Mass Communications from Miami University and is currently completing a Masters of Arts in Writing and Literature at Deakin University here in Melbourne.
Music Program Leader
Jesse Hooper leads the Music team, taking Songwriting Master Class, Ensemble, and Collaborative Performance.
Jesse is four-time ARIA-award-winning songwriter and performer. Best known for founding the music groups Killing Heidi and The Verses, he is a multi-skilled writer, producer, performer and mentor.
As a hit songwriter, Jesse has achieved critical and commercial success internationally. In 2001 he won the prestigious Australasian Performing Rights Association Song Writer of the Year award and has written eight top 20 hit singles including #1 singles and albums.
As a guitarist, he has performed in major music festivals in Australia and abroad including main stage Big Day Out, Falls Festival, and Livid to name a few. Jesse has toured with some of the biggest acts in the world including Fleetwood Mac, Counting Crows, INXS and Midnight Oil.
In the studio, Jesse has collaborated and worked with iconic producers including Mark Opitz (INXS, AC/CD, The Divinyls), Mitchell Froom (Crowded House, The Pretenders) and John Travis (Kid Rock, Social Distortion, Buck Cherry).
Throughout his career Jesse has worked closely with the biggest and most powerful record companies, managers, and booking agents in the entertainment industry and maintains unique relationships with stakeholders across the mainstream and independent music sectors. Jesse has run successful touring and recording companies and is able to help artists holistically approach their branding and creative side with astute business acumen.
He also is working on a series of multicultural collaborations featuring refugee hip hop act FLYBZ, Paul Kelly, Waleed Aly, Pataphysics and indigenous artists Dan Sultan and Kutcha Edwards. This work is partnering with key community arts organizations The Artful Dodgers Studios and Multicultural Arts Victoria.
Jesse is passionate about helping share his world-class connections, knowledge and skills with emerging artists through his teaching and course design at Collarts.
Entertainment Journalism Program Leader
Tracee Hutchison is a high-profile Australian arts and media executive, commissioning editor, broadcast/journalist, presenter, multi-platform producer/director and executive producer with over 25 years’ experience at the highest level in Australian and international broadcast media and arts sectors.
She has extensive work experience both nationally and internationally, as a radio presenter; JJJ, Radio Australia, ABC News Radio, 774/Melbourne, 702/Sydney, 3RRR.FM and the BBC World Service. Tracee has also worked in television as a presenter, reporter, producer and writer; 7.30 Report, Sunday Arts and co-host of ABC TV’s DIG TV.
Tracee’s extensive TV and online production roles include: Talent Producer/Scriptwriter for ‘Rockwiz’ (SBS TV), Series Producer for ‘Nomad’ (SBS TV), Field Producer for ‘Getaway’ (Channel 9) and former Network Executive Producer for the ABC’s Australia Network/ABC International.
Tracee is a former CEO of the Human Rights Arts and Film Festival, Program Director at Melbourne’s premier community radio station 3RRR.FM and Opinion Columnist for The Saturday Age. She is also the author of three books: Australian music anthology, Your Name’s on the Door and two fundraising cookbooks for the Mirabel Foundation – Rock Chefs For Mirabel and Laughing Stock.
Head of Fashion Marketing
Dr Rachel Matthews is the head of Fashion Marketing at Collarts. Her area of expertise in fashion marketing and communications is concerned with the people, processes and practices that influence tastes in contemporary fashion. She is a firm believer in fashion as a bell-weather or cultural barometer of change in society.
Originally from London, Rachel trained in fashion at Central Saint Martin’s and Winchester School of Art before beginning her career in the UK. She has worked as a designer for companies such as Whistles, John Lewis and Next as well as creating fashion visuals for Elle, Brides and Fashion Forecast magazines. Rachel has also worked as a design and marketing consultant for fashion companies in Hong Kong, Tunisia and Mauritius.
Throughout her career, Rachel has been involved in fashion education holding academic positions at Chelsea College of Art and Middlesex University in the UK. In Australia, she has worked at QUT and was head Melbourne School of Fashion for five years.
Since arriving in Australia, Rachel has also completed a PhD at Monash University. Her thesis examined fashion taste-making and the changing methods of influence in contemporary fashion media. She continues to publish on the topic and her work can be found in Catwalk: The Journal of Fashion Beauty and Style, Address: The Journal for Fashion Writing and Criticism and readingdesign.org.
Rachel is currently investigating fashion objects that polarise taste preferences and is writing about Ugg boots and Melbourne’s sneaker culture for Bloomsbury’s Fashion Business Case Study project.
Head of Content Creation
Patrick Price has a creative mind with a knack for marketing and social strategy to communicate a story. He believes that there was a time and place for thinking inside the box! But that time has come and gone and to compete in today’s world you need to be creative to get the competitive edge.
Having being part of the creative industries for many years, Patrick has held roles within creative direction and design, production and publishing. During this time he has worked with the Melbourne Fashion Festival, Melbourne Spring Fashion Week, the Caulfield Cup Carnival (Melbourne Racing Club), launched FJORDE Magazine and FJORDE Bride to worldwide readerships, as well as cultivating brand identities and creative for local and international clients. In 2017, Patrick is set to release his newest publication, HEARD Magazine.
Through these opportunities, he has become strategic in his approach with a sharp eye for innovation, social media, brand identity design, content creation and print collateral. Patrick has a wealth of knowledge and experience in these areas; to deliver the best creative outcome to develop strategy, assist and guide with marketing and develop content to create growth.
He believes that change is continual, and to remain competitive in a digital age, an understanding of marketing and communication strategy is fundamental. Teamed with innovation and conceptual thinking are key to engaging audiences and driving results.
With the end in mind, Patrick understands what’s needed to be competitive in today’s market as a result, has a desire not only to help educate but also nurture and develop the creative minds of tomorrows industry. Patrick believes education is more than providing an environment to learn, but rather creating an environment that is shaped and defined by those in it. He believes that for any person or group to be successful it is about the development of the person as well as the education they receive.
Head of Music Production
As well as being the head of Music Production at Collarts, Tommy Rando is a chart-topping Australian performer, producer, singer-songwriter and composer. Tommy’s unique voice and impressive guitar skills have seen him work alongside some of Australia’s best and the finest international acts.
Tommy’s early education came from a scholarship grant to study at the National Guitar Summer Workshop New York USA, where he studied with Jazz virtuoso John Scofield, Robben Ford, Lenny Stern and Ernie Jackson (James Brown).
Tommy has also been accepted globally, having toured the USA and UK with his debut album Winter Sky and follow-up hit, Signature. After being spotted at South by Southwest music festival (Austin Texas) by music great Seymour Stein (Warner music.), Tommy went on to tour the UK where he met his future mentor, John Reid (Elton John/Queen manager), and proceeded to sign a record deal with All Terrain Music Universal Group. In 2012 Tommy went on to work alongside producer Mark Ronson and toured France with UK sensation Paulo Nutini.
In 2010 Tommy Rando released his debut EP ‘Signature’ which he performed live in the UK on BBC Radio 2 (Jo Whiley). Back in Australia, two songs from the EP received high rotation on radio stations Mix and Light FM. Tommy has also written and produced songs for Vanessa Amorosi, Australian Idol artists Lee Harding, Anthony Callea, Casey Donavan and UK Pop Idol artist Kirsty Crawford. His songs can also be frequently heard on the Australian television production Neighbours. In 2004 Tommy co-wrote the song ‘Wasabi’ hit number one on the Australian ARIA charts (performed by Australian Idol finalist, Lee Harding).
Tommy has recently signed a publishing deal with Karma Power Records New York and is also collaborating for film and TV sync’s including Alloy Tracks Los Angeles USA. Back at home in Melbourne, Tommy is a regular performer and owns a commercial studio in Melbourne CBD at Rooftop Studios where he is in demand for radio and TV advertisements.
Tommy is currently working on a PhD in research in digital music production at Victorian College of Arts Melbourne Conservatorium of Music.
Head of Audio Engineering
BMus, Pro Tools 310M Certified Expert
Jason is the Head of Audio Engineering. He is a Pro Tools Certified Expert with an AVID ACSR 400 qualification, Bachelor Degree in Music and has a Certificate IV in Training and Assessment. As the builder, owner and manager of the successful Debasement Recording Studios in Ferntree Gully, JT has worked with clients from Bodyjar, You Am I, Slipknot and hundreds more.
Jason is also an in-demand drummer and teacher, who for 15 years taught students across a range of ages and skill levels: kids as young as five, to top-level VCE solo performance students. Jason has played drums with dozens of artist, is currently in the band Cisco Caesar, and undertakes sessions for other Melbourne acts.
Associate Entertainment Management Program Leader
With over 34 years of experience in the music and entertainment industry, Chrissie Vincent has worked with some of the biggest names in music, both in Australia and internationally (she was based in Los Angeles for 5 years at Virgin Records Worldwide). She has worked with the likes of The Rolling Stones, Lenny Kravitz, David Bowie, Sex Pistols, Smashing Pumpkins, Rod Stewart and Australian artists and bands such as The Living End, Pete Murray, Don Walker, Jeff Lang, Tim Rogers, Tex Perkins – the list is endless.
Over the years, Chrissie has worked in various capacities including publicity, artist management, TV production, record promotion, radio promotion and music television at MTV in Australia and the US. In 1999 she took the opportunity to branch out on her own as an independent publicist establishing Chrissie Vincent Publicity & Management, where she has worked on successful publicity campaigns for events such as Falls Festival, St Kilda Festival, St Kilda Film Festival, Pyramid Rock Festival, Boogie Festival, the Australasian Worldwide Music Expo and CD and National Tour Campaigns for both local and international touring artists. Along with publicity, Chrissie works as an artist and band manager and is currently completing a Masters Degree in International Music Business.
Academic Program Coordinator (Music)
Phil Bywater is one of the finest saxophonists in Australia; an exciting and dynamic performer. His experience is diverse, encompassing rock, afrobeat, funk, reggae, world music, jazz, free improv, and contemporary classical music. He has toured Australia, the United States, Europe, the South Pacific and South East Asia, and played countless Australian music festivals (Big Day Out, AWME, Byron Bay, Blues and Roots, MONAFOMA, Woodford, Apollo Bay, Queenscliff, St Kilda, Meredith, Fairbridge, Port Fairy, Yalukit Willam Ngargee, Dreaming at the G, Melbourne Indigenous Arts, Brunswick, Wangarratta Jazz and Blues, National Folk) as well as International Arts Festivals in Melbourne, Sydney, Perth, Brisbane, and New Zealand.
Phil has released three independent CDs and appeared on dozens of other recordings as a band member or featured guest. He has performed extensively on radio and television (Rove Live, Spicks and Specks, Alive and Kicking, Denise), performed on TV and movie soundtracks including Crackerjack, Boytown and Judith Lucy’s All Woman and performed and recorded with an array of Australia’s finest musicians.
Phil was a key member of the board of the Melbourne Jazz Fringe Festival from 2005–2009, and was a curator and publicist for the Make It Up Club improvised music series 2004–2007. He has been active in both secondary and tertiary education since 1989, lecturing at VCA, AIM and JMC Academy.
Phil holds a Masters in Music (VCA), Graduate Diploma in Education (Melbourne University), and a Bachelor of Music (VCA), and has been an APRA member since 1993.
Music Production Coordinator
David Jacob is a composer and producer of electronic music who hails from the south-east of Ireland. Having spent his teenage years as a DJ and holding his first club residency at the age of 16, his relationship with music technology started early. Producing since the turn of the century, he has released remixes and original productions on Motormouth, Gobsmacked, Raven Sigh and Industrial Strength Records among others. Although largely self-taught, David also holds an MA in music technology from the University of Limerick where he developed his interest in more experimental forms of composition
As resident DJ and founding member of an Irish sound-system collective and club nights, he has provided support to luminaries of the hard electronic dance music scene and promoted countless electronic music events. His recent Power Struggle EP has seen strong continued support from the international hardcore community, achieved chart positions on both Beatport and Juno, and remains one of Juno's best-selling hardcore releases of 2016. David is currently focused on hardware-based live electronic performance and DJing as part of the Rhythmic Shift collective.
Music Performance Coordinator
Brett is an accomplished composer, guitarist and producer from Melbourne. He graduated from NMIT with a Diploma of Jazz and Popular Music in 2000 before being accepted into The Victorian College of the Arts where he completed a Bachelor of Music (Improvisation) in 2004.
Working professionally since 1998 he has composed, recorded and performed with the Adelaide Symphony Orchestra, Dan Sultan, The Verses (Ella Hooper), Paris Wells, The Hello Morning, Spender and many more. He has also supported Jimmy Barnes, Casey Chambers, Counting Crows (USA) and Fleetwood Mac on their 2009 Australian tour.
In 2009 Brett formed his own group, Magic Mountain Band who released their debut EP, Over an Ocean Away, in early 2010. The compositions from this first offering went on to be widely used in short films, television and documentaries, while the band has become a must-see live act in Melbourne.
In Feb 2014, Magic Mountain Band released their long-awaited debut album WILDERMAN to critical acclaim. Since then, the band has sold out multiple shows around Melbourne and gathered considerable support both nationally and internationally, culminating in their recent invitation to support American drone rock legends Earth on their recent Australian tour.
Matt Bray has been operating as a professional musician in Australia and overseas since the mid 90’s. Primarily performing on drums, Matt has also studied piano, guitar, vocals and music theory and has expansive experience within the Australian music industry both as a performer, band manager, and more recently within music education.
By constantly exploring and pushing music composition and performance boundaries Matt has been granted experience in such genres as Classical music, Rock, Progressive Rock, Punk, Funk, Acid-Jazz, Drum & Bass, Reggae and various styles of live electronica among many others. In 1994 his own composition was performed by the Melbourne Symphony Orchestra, ten years later he co-wrote an album with the band `28-Days’ that charted in the ARIA top 40 all the while developing music production skills on a variety of audio software platforms.
Matt has performed over 3,000 gigs in all echelons of the Australian music industry and has been endorsed by Pearl and Zildjian since 2003. Harnessing the diversity of his musical experience, Matt has shared the stage with the likes of The Foo Fighters, GrandMaster Flash, Q.O.T.S.A., Pendulum, Deftones, Andy C, The Living End, Bliss’n’Eso, Cat Empire and many, many others.
As well as performing, Matt assumed the role of business manager for several years that developed a hands-on knowledge of band management in a rapidly changing music landscape. From 2007 he has worked at numerous Universities and Institutions around Melbourne. Matt is currently completing his Masters in Contemporary Music (BHI) and is pioneering methods to enhance music education processes at Victoria University.
Entertainment Management Sessional Lecturer
Bruce Butler has had 30+ years of experience in the Australian music industry and has worked across a variety of organisations.
Starting in music retail as a teenager, Bruce quickly moved up to managing the specialist music store, Gaslight Records. In the 1980’s, Bruce worked in sales and promotions for CBS (Sony) Records in Melbourne and Sydney before leaving to set up Virgin Records Australia. Here, he was A&R Manager amongst other rolls including National Promotions and Marketing. On returning to Melbourne, Bruce worked as the Music Producer and Talent Coordinator for ABC-TV programs: ‘The Factory’ and on Molly Meldrum’s ‘Countdown Revolution’. Part of his responsibilities included booking all local and international guests. During this time Bruce was also part of the inaugural board for The Push, a youth organization helping school leavers put on live music events around Victoria. He wrote ‘The Young Players Guide’ as a reference for young people entering the local music industry. It went through a number of re-prints and a complete re-write in 2004. In the 1990’s and into the 2000’s Bruce managed original artists including The Church, Monique Brumby, David Bridie, My Friend The Chocolate Cake, and Ollie Olsen. Bruce also set up and ran Australia’s first all-electronic record label Psy-Harmonics and Karmic Hit record label as a side project of Steve Kilbey of The Church. Bruce looked after all aspects of the artists’ businesses and careers including negotiating recording and publishing contracts, booking live shows, and tour management.
In more recent years, Bruce has worked as a music consultant for JB Hi-FI and in 2014, was approached to be the Australian contributor to the ‘David Bowie Is’ exhibition at ACMI in Melbourne.
Before joining Collarts, Bruce completed his Masters of Art Degree in Arts Management at RMIT and was also teaching Music Business at NMIT.
Entertainment Journalism and Entertainment Management Lecturer
Jess Carroll is the founder of music management and publicity company Inmocean. Jess has worked as an onsite publicist at the Falls Festival in Lorne for 8 years and worked on campaigns with a diverse selection of artists including Seth Sentry, Urthboy, Sampa The Great, Kah-lo, Ecca Vandal, Sophie Koh, Jake Meadows & Daniel Johns and CLIPPED Music Video Festival.
Specialising in custom made strategies for events, brands and artists, Jess has succeeded in placing her artists on top-tier international publications such as Stereogum, Highsnobiety, The Line Of Best Fit, and Rolling Stone. She has secured airplay on influential tastemaker stations Triple J, Double J, KCRW, BBC1 and Flux FM. In September 2016 Jess joined tertiary institution Collarts and lectures in Entertainment Management and Entertainment Journalism subjects.
Jake Cleland has been a freelance journalist since 2010, covering music and pop culture for publications including Pitchfork, the Sydney Morning Herald, and the Guardian.
Beginning in community radio and street press, Jake went on to complete internships at Everguide and TheVine, later becoming deputy editor and then editor-in-chief of the latter. He currently publishes STRINE WHINE, a monthly magazine focused on Australian music.
He’s also been called upon to contribute professional insight at music industry conferences like BIGSOUND and Face the Music.
A jazz singer in a former life, Melbourne songbird and storyteller Mezz Coleman finally found her home in the folk music world, and with her ukulele in hand has spent the last decade performing her unique blend of dreamy folk pop at festivals and venues around Australia.
Whether playing solo or with her full band, Mezz always manages to create an intimacy with her audience. Her passionate vocal delivery, poignant yet down to earth lyrics, and relaxed banter between songs very quickly breaks down the barrier between performer and audience. With four independent releases under her belt and over a decade of shows in some of Australia’s top venues and festivals all across the country, Mezz is currently working on a fresh batch of songs to share with the world soon.
While working as an original artist will always be Mezz’s greatest love, she has also had the incredible privilege of working as a backing vocalist and session singer for artists such as Nana Mouskouri, Marcia Hines, Barry Humphries, Gary Pinto, Delta Goodrem, Anthony Callea, Brian McFadden, John Foreman, The Melbourne Gospel Choir and more. She has performed at many events including the Channel 9 Carols by Candelight, MCG Grand Final, Dancing with the Stars and Good Friday Appeal Gala.
Mezz is also a passionate educator and works extensively around Melbourne as a vocal coach.
Hailey Cramer works with our Music Performance students, teaching vocals.
Hailey featured on the smash hit collaboration ‘Summer Days’ with rapper Pez, knocked audiences out performing with the likes of Michael Franti, 360 and Blue King Brown, all the while exploring and refining her own sound.
Hailey’s interest in music sprouted at a very young age. Infatuated with old school vocalists from her father’s vinyl collection, she developed a hobby of making mix-tapes to send to her grandmother in Sri Lanka singing all her favourite songs and splicing in messages from her family as interludes. In these early stages as an audio documentarian, Hailey learnt how to reach out and connect through song.
Ten years later, with an established reputation for her vocal talents and tireless work ethic, Hailey was welcomed into the fold of illustrious roots music giants Blue King Brown. Through extensive touring to the US, Canada, Europe and the Caribbean playing a massive array of national and international festivals, Hailey has performed alongside the likes of Santana, Silverchair, Powderfinger, Ben Harper and The Black Eyed Peas. Throughout Blue King Brown’s hectic touring schedule, Hailey has seized every opportunity to develop. From attending industry forums at Austin Texas’ prestigious SXSW festival to performing onstage with Michael Franti to spending time in the studio with Jamaican producer royalty Bonsai, Hailey makes the most of her surroundings to expand her experience and develop her creativity.
Back in Australia, her 2008 collaboration with rapper Pez both as a co-writer and performer elevated Hailey’s career to new heights. The smash hit The Festival Song gathered a national following, coming in at number 7 in Triple J’s Hottest 100, number 1 on the AIR 100% Indie Singles chart and number 11 on the ARIA Australian Singles chart. Since then, she has toured extensively with Pez and also lent her vocal prowess to hip hop contemporaries 360 on his chart topping album Falling and flying and Mantra’s Speaking Volumes album.
Shaped by a wealth of performance experiences over and spurred on by encouragement from the artists she has been working with and supporting, Hailey was inspired to realise the contents of her own songbook, define her own voice and seek out potential collaborators for her latest and most exciting creative stage – Hailey Cramer the solo artist.
Working alongside Melbourne-based producer Dan West Hayley has released her debut EP. the duo has sculpted a remarkable sonic landscape in which Hailey’s soulful vocal prowess is supported by a minimal yet funky accompaniment. Vintage analogue synthesizers, percussive sounds sourced from the body and everyday objects and noise making toys gleaned from local flea markets all combine to celebrate the nuance and humanness of a live performance in an electronic music context.
Welcome to the sonic world of Hailey Cramer, where story becomes song, electronics become humanized and where trash is sometimes treasure.
Travis Demsey has been a professional drummer for over 20 years and is best known for for his drumming in The Living End.
Arguably one of the biggest bands in Australia in the last 20 years, The Living End have cemented themselves as one of Australia’s truly great iconic rock acts. The experiences of being a member of The Living End have equipped Travis with a broad range of skills.
Travis has shared tours and stages with Green Day, Red Hot Chilli Peppers, Blink 182, AC DC, The Offspring, SoundGarden, Iggy Pop and hundreds more, giving him firsthand knowledge of how the touring world works.
He has also worked with some of the world’s biggest producers as a drummer and drum technician. Producers include Andy Wallace ( Nirvana, Guns and Roses, Rage Against The Machine ), Nick Launay (Nick Cave, Arcade Fire, Lou Reed), David Kahne (Paul McCartney, Lana Del Ray, Kelly Clarkson), Jerry Finn (Green Day, Blink 182, Morrissey) totalling over 100 Australian and international releases.
Travis is a regular guest performer at Australasia’s biggest drumming festival The Ultimate Drummer’s Weekend and is a contributing writer for Drumscene, which is Australia’s best known drum magazine.
For the past eight years Travis has used his drumming skills to run motivational workshops in the corporate sector (AFL Players Association , Cricket Victoria , Minter Ellison Legal Group), the community wellbeing sector (Whitelion, Berry St, Headspace) the education sector, visiting over 100 high schools. He has also worked heavily with Indigenous communities.
Entertainment Journalism Teacher
Michael Dwyer is one of Australia’s most experienced and prolific feature writers and arts critics. He’s written mostly about music and the people who make it for 30 years and countless media, not least Rolling Stone, the Age, Fairfax Media and Melody Maker. He has worked on-air for Triple J, as a film script consultant and as an arts journalism lecturer at Monash University.
His lifelong passion for music has led him from the red heart of the Australian outback to the penthouses of Manhattan to interview myriad legends of rock, jazz and elsewhere: Lou Reed, Paul Simon, David Bowie, Brian Eno, Ry Cooder, Sonny Rollins, Yoko Ono, Patti Smith and Steve Reich among them. In a simultaneous life, he sings, plays lead tenor ukulele and tours internationally with the world’s first ukulele-harmony David Bowie tribute phenomenon, the Thin White Ukes. He lives in Melbourne with too many records.
Endorsed by Guns n’ Roses icon Slash, who commended the frontwoman’s ‘great vocals, riffs and grooves’, the namesake of three-piece, award-winning Australian rock outfit has toured the world, clocking over 900 shows on home soil including 9 international tours.
A charismatic and commanding presence on stage, Frasca has a Top 30 ARIA charting album under her belt, a #10 Aus album as well as a swag of awards including ‘Artist of the year’ at the Independent Music Awards. In 2013 her song, ‘All My Love’ won third place above more than 16,000 entries in the International Songwriting Competition (ISC), which landed her signed to French label, Verycords (Deep Purple, Bjork).
‘Success is the Best Revenge’, from 2015 release, Love Army, was chosen as the theme song of the worldwide sync on popular TV show, Bondi Ink, and a collaboration with Californian 90s legends Ugly Kid Joe’s album, Uglier Than They Used To Be hit #10 charts on BBC charts in the UK. Dallas also appears on recordings by rock royalty Suze DeMarchi (Baby Animals), and American indie icons The Bellrays.
On the tour circuit, Dallas Frasca accompanied by guitarist Jeff Curran, has rocked the world for more than a decade, supporting the likes of Ugly Kid Joe, Patti Smith, Aerosmith and Van Halen, and once fronting legendary Aussie rock band Midnight Oil in support of Amnesty International.
Back home in Melbourne, Dallas runs her own independent record label, Spank Betty Records. Her time is spent between Melbourne, touring with the band and working in the Northern Territory with indigenous women from remote communities.
Production, Logic Pro, Scoring, Synthesis and Music Theory Teacher
Al began life as an orchestral trombonist and pianist, but came to prominence performing, producing, and touring (on keyboards, vocals and trombone) with The Black Sorrows, Deborah Conway, (performing live at the 1992 Aria’s), Boom Crash Opera, and Stephen Cummings. As a performer, Al has toured with some of the biggest acts in the world, such as Sting, Jethro Tull, Whitney Houston, Nirvana, (sharing the stage at the Big Day Out in Sydney in 1992), and Crowded House. (Al was offered the keyboard gig with Crowded House in August 1986, but it wasn’t to be!)
Al later turned to composing for Film and TV, where he became one of Australia’s busiest and most versatile composers and sound designers. He has directed and conducted many ensembles in the studio, including the Melbourne Symphony Orchestra, various Big Bands, and through to producing local young bands.
Producing from his boutique studio in Elsternwick, Al has scored the USA feature film, The Heist, TV series Halifax f.p., City Homicide, Canal Rd., many short films and most recently the Howard on Menzies documentary series for the ABC. He has just completed orchestral scores for the Flagstaff Maritime Village, Light and Laser show in Warrnambool. Al has also composed over five hundred local and international TV and cinema ad soundtracks.
In addition to his production work, Al has a particular passion for Aural training, believing that the musical ear is a sometimes neglected tool.
Project and Event Management Teacher
Jacelyn has had over 15 years of event management experience in the private, retail, corporate and government sectors. After a stint in PR, she began her career managing two large event venues overseeing large-scale events ranging from Rove Live, Guinness Book of Records and many Roadshow movie premieres.
In 2008 Jacelyn started Flock Agency and has worked across some of Melbourne premium events including the first Zara store opening, Fashion Full Stop—the biggest runway in Southern Hemisphere—and The Royal Melbourne show. Expanding Flocks offering to creative consultancy and experiential director she has worked alongside other agencies around Australia on large scale events. These include: Easy Forex, Big M, Mars Pet food, Westfield, QIC, Prada, Sunglass Hut, Melbourne Spring fashion week, Tabasco, Crumpler, Grill’d to name a few.
Jacelyn also lectures in Event Management at Collarts and is completing a masters in Marketing at RMIT.
Performance Forum Teacher
Best known as an award-winning singer/songwriter, Ella Hooper has a career that developed from the rock of Killing Heidi to the alt-folk of the Verses and the revealing songs of Ella Hooper solo.
Ella has won four Arias and written several top-ten hits including a number one album and single. Ella’s first album, Reflector, has multi-platinum status and her singles are widely played and streamed, while her impressive back catalogue cements her as a part of Australian music history.
Originally from country Victoria, Ella has performed in Europe, Asia and the United States. Within Australia, Ella has played major festivals such as Big Day Out, Falls Festival and Day on The Green as well as smaller, boutique events like Tasmania’s Festival of Voices where she debuted an all-female vocal side project called Tresses. Ella has also toured as support for some of the biggest acts in the world, including Fleetwood Mac. Conversations with Stevie Nicks during that tour was what prompted the release of Ella’s first solo album, In Tongues, in 2014.
On the media front Ella regularly appears on ABC television and radio and was team captain on the ABC’s reboot of popular TV show Spicks and Specks. Ella has also co-hosted her own national radio show on the 2Day network, scooping an ACRA (radio award) in her first year and hosted accompanying TV show Radar focusing on breaking new and local music.
Current projects include touring with SBS’s RocKwiz Live, working as a songwriting mentor and host with Telstra and Bank of Melbourne and filming a music documentary for Red Bull.
Ella is currently producing a new EP titled New Magic to compliment Venom which was launched earlier in 2016, garnering high praise from music critics.
Music Performance Teacher
Award-winning trumpeter Gemma Horbury brings an ever-evolving skill set to the stage: going beyond brass to incorporate visuals, vocals and hip hop MC-ing in charismatic, genre-defying performances. She has performed internationally in Europe, the UK and Asia; and at top Australian festivals including The Big Day Out, Woodford Folk Festival, The Falls Festival and Melbourne’s International Jazz and Comedy Festivals.
Gemma is known for her unique sound and on-stage presence whether playing jazz, classical, world music, contemporary or experimental styles. Her work shifts between technological innovation and tradition yet are underpinned by deep connections to sustainability and developing community capacity through the arts.
Beginning her career as a classical musician, Gemma’s knowledge of the trumpet encompasses performance practice, mythology and construction methods dating back to ancient times. In 2002 she was awarded a scholarship to study historic brass performance in the UK, and completed a course in Baroque trumpet making at Edinburgh University. Gemma devised a prototype “Electric Video Trumpet” in 2008, enabling control of audiovisual software via modified games controllers attached to an ordinary trumpet.
Gemma’s diverse portfolio includes co-ordinating a TV channel for adolescent hospital patients, producing a skateboarding DVD, working as a sound designer for theatre and co-ordinating a mass “band battle” for Northcote’s High Noon Festival. An inspiring musical director, Gemma is a recipient of the Generations in Jazz Yamaha Jazz Spirit Award (2011), and initiated the Darebin Music Feast / Orkeztra Glasso Bashalde Composition Competition, a statewide award for Victorian composers.
Marcia Howard hails from the legendary local music family, the Howard family. She has worked with some of the world’s best musicians including Mary Black, Carlos Santana, Bob Dylan, Brian Kennedy, James Taylor, Peter Allen, Hothouse Flowers, The Goanna Band and The Chieftans to name a few. Marcia has also toured and recorded with many Australian artists such as Bart Willoughby, Patricia Clarke and Brett Clarke.
As well as being a triple Aria-Award winner (as part of Goanna Band), Marcia’s vocals have featured on numerous albums recorded in Australia over the past thirty years. She is an accomplished singer, pianist, guitarist and vocal director who continues to perform at festivals and concerts around Australia, England, Ireland and America.
Over the past seventeen years Marcia has worked in music education, combining her industry recording, song writing and business skills to teach students at primary, secondary, VET and tertiary levels. She also recently completed her Research Masters Thesis, at Monash University.
Peter Farnan was founding member and principal songwriter for iconic Australian band Boom Crash Opera and before that seminal post punk trio Serious Young Insects. He has recorded with several well-known producers (Alex Sadkin, Jimmy Iovine, Don Gehman, Keith Forsey) both here and overseas. He has worked extensively in theatre as a composer, sound designer and music director for MTC, Malthouse, QTC, Black Swan and Belvoir Company B, in Australia and in the UK and Korea.
Peter was a composer and music producer for the feature film The Boy Castaways which features Tim Rogers, Megan Washington and Paul Capsis. He also produced the soundtrack album and was MD for Songs of Wreck and Ruin for the Melbourne Festival at the Forum. He has a practice-based research Masters from Melbourne University where he focussed on popular songwriting and recording.
His current project is a solo/band album of his songs sung by guest vocalists, including Paul Kelly, Rebecca Barnard, Tim Rogers, Emily Lubitz, Ali Barter, Deborah Conway, Charles Jenkins and Sean Kelly.
Playing guitar from age 12, Lawrence’s formal musical endevours began at the Victorian College of the Arts where he studied a Bachelor of Music performance, spending time in various ensembles exploring the art of sonic interaction via texture, groove and melody by means of improvisation. It was here Lawrence garnered the Dr Phillip law Award for Innovation and began strong musical friendships that continue to this day.
Upon leaving the VCA Lawrence began exploring various experimental music production and composition techniques. His infuences range from Debussy to Elliott Smith to Aphex Twin to name a few. Lawrence’s diverse sound pallete has led him to be a key collaborator with a number of artists – most notably Ainslie Wills.
Lawrence’s sonic and compositional contributions to Ainslie Wills’ live and recorded music began formally in 2010 with the release of Wills’ Somebody For Everyone EP. This marked the beginning of a strong musical relationship, which led to the pair co-writing and producing the LP You Go Your Way, I’ll Go Mine, which was nominated for the Australian and Melbourne Music Prizes in 2013 and scored 4/5 stars via Rolling Stone Australia. The pair’s most recent offering comes in the form of EP Oh The Gold, with the single Drive added to high rotation on Triple J, while the track, Constellations was deemed Headphones Moment of the Day on BBC 6.
Lawrence’s performance experience include supporting the likes of: Vance Joy, Leon Bridges (US), Hiatus Kaiyote, Michael Kiwanuka (UK), Lianne La Havas (UK), Clare Bowditch, Daniel Merriweather and Andy Bull. He has also played a number of festivals including: Melbourne International Jazz Festival, Womadelaide, Falls Festival, Homebake Festival and Panama Festival.
Bass Guitar & Master Class Teacher
Josh Jones works with our Music Performance students, teaching Bass Guitar and Instrumental Master Class.
From a young age Josh knew all he wanted to do was play music. As a child there was always music around the house, whether it was his dad playing keyboard or his mum playing her favourite Carol King record.
After two years of trumpet in primary school Josh made the change to bass and never looked back. He went on to complete his degree in Music Performance at Box Hill Tafe and built himself as an established musician recording and touring nationally/internationally with Dan Sultan and Gossling. His musical adventures have seen him record in Nashville with Grammy-award-winning producer Jacquire King as well as share the stage alongside Natalie Bassingthwaighte, Missy Higgins and also members of the Jools Holland Band.
In 2009 Josh recorded on Dan Sultan’s second studio album, Get Out While You Can, which won an ARIA Award in 2010 for Best Blues and Roots Record and also won two Deadly and AIR Awards. Since then Josh has toured America, the United Kingdom and China as well as played at some of Australia’s biggest music festivals such as Big Day Out, Splendor in the Grass, Falls Festival and Byron Bay Blues and Roots Festival to name a few.
Joshua is endorsed by Aguilar Amplification and his latest work can be heard on Blackbird by Dan Sultan and Harvest of Gold by Gossling.
Ensemble, Music Styles & World Music Teacher
Adam is a drummer and percussionist with a keen interest in challenging the possibilities of rhythm, drawing inspiration from musical cultures that have deep rhythmic traditions.
As a percussionist he has studied Balinese Gamelan extensively and has performed professionally with many of Bali’s most renowned musicians, composers and orchestras. As a drummer Adam has performed and toured internationally with many different ensembles, including the Australian Art Orchestra, of which he is a current collaborator.
In 2012 Adam was invited to perform in India as part of the collaboration between the Australian Art Orchestra and a leading South Indian group, Sruthi Laya, lead by mridangam maestro Guru Karaikudi R Mani. Adam’s performance with this group in Brisbane earned them the 2013 APRA Performance of the Year.
Adam has also performed, recorded with Labjacd (Latin Hip-hop group), The Public Opinion Afro Orchestra (large Afro-beat ensemble), Umlaut (lead by Mr Bungle’s Bar McKinnon), Maya Hasan (Indonesian Harpist) and Hiatus Kaiyote (2014 album release).
Audio Engineering & Music Production Lecturer
Resident producer and engineer at Rollingstock Recording Rooms, Lilith Lane, has a wealth of experience on both sides of the mixing console.
Her audio background is entrenched in the Melbourne music scene and includes roles as
Discovering a curiosity for audio techniques after a first-time recording session as a teen at ABC Studios Southbank for Triple J Unearthed, Lilith studied sound
As an artist in her own right, she has played and toured internationally with various local bands, and can regularly be seen popping up on the local live circuit in different projects. She has released and toured 3 solo albums, and as a session musician (vocals, guitar
Lilith holds a BA with Honours from Latrobe University, with the thesis topic ‘Recording Studios of Melbourne: A cultural snapshot. The contribution of recording studios to Melbourne as a Music City’, which will be the basis for a book developed through current studies of a Masters of Creative Industries.
Lilith is passionate about supporting the local live music scene, music and technology as a medium for creative expression, education as a valuable contribution to greater society, and a strong believer in the strength of
Venue Management Teacher
Tom has had a long, varied career in the music industry.
He has booked live music venues including The Toff, Revolver Upstairs & The Gasometer, founded and ran an ARIA award-winning independent label Trifekta Records, was the Melbourne side-show coordinator at the Big Day Out, worked with songwriters and composers at APRA AMCOS and did everything from packing boxes to A&R at Shock Records. He is now very pleased to be the co-booker of The Croxton Bandroom.
He has participated on panels for Face The Music and Creative Victoria as well as mentored for The Push’s FReeZA Mentoring Program.
Tom has taught music industry business at a number of institutions including the Australian Institute of Music and Melbourne Polytechnic. He currently teaches Venue Management at Collarts.
Music Technology Teacher
Patrick Marks, aka Pataphysics, is an MC, producer, trumpet player and audio engineer.
Patrick is a Mercury-Prize-winning producer for his work with Speech Debelle (Ninja Tune). He has worked with local and international labels, producing and remixing a list of artists that include 360, Fear of a Brown Planet, Hau (Koolism), Lotek feat Roots Manuva and The Flybz with Paul Kelly.
His debut album, Subversive, features the likes of Stic-Man and Rob Swift and was named among the top 15 releases of 2012 by The Australian Music Prize. As an accomplished trumpet player, Patrick’s trumpet stylings have featured on recordings alongside Rob Swift, S1 (Strange Fruit Project/Eminem), Braille, Ohmega Watts, Othello, Rosie Burgess, Dialectrix, 1/6 , Skryptcha, and Ishu. His exceptional music career has seen him tour Australia numerous times, he has played festivals such as Laneway, Big Sound and Peats Ridge, and he is part of an experimental improvisational trio and a nine-piece funk collective.
Patrick’s music work has extended to film and television, including writing the theme song for Legally Brown on SBS and his musical works have featured in the National Gallery of Victoria. He is also the Music Coordinator for R.I.S.E (Refugees, Survivors, and Ex-detainees), where he runs music, beat making, and poetry workshops, as well as providing recording and production for young artists.
Stevic MacKay is a Melbourne-based guitarist, producer, songwriter, author, clinician, video-director, university lecturer and entrepreneur with an impressive and diverse track record.
As guitarist and founder of Twelve Foot Ninja, he has pushed the boundaries of alternative rock music. He and his bandmates won the Revolver Golden Gods Award for ‘Best New Talent 2014’, garnering a reputation for demolishing international stages with undeniable force, blowing away audiences at US festivals including Rock On The Range, Carolina Rebellion, and Germany’s Euroblast.
Prior to forming Twelve Foot Ninja, MacKay was in high demand as a young session guitarist, playing on records produced by some of music’s big-name producers such as Eliot Kennedy (Brian Adams, Spice Girls, Take That) and Billy Mann (P!nk, John Legend, Sting). MacKay also wrote two guitar instructional books published by Hinkler Books entitled Simply Guitar and Lead Guitar, which have now sold over 1.3 million copies worldwide, making the guitarist one of Australia’s most successful authors of guitar tuition products.
Kevin is a versatile musician and specialist teacher with 23 years of experience in high school and tertiary music education.
Kevin has a diploma in teaching percussion and an associate diploma in trumpet. He has also worked with a huge number of bands, artists and theatre shows including the Melbourne International Arts Festival, Nitin Sawhney’s Aftershock project and the Boy From Oz.
Based at Debasement Studios, Dan Murtagh is one of Melbourne’s most sought after producers and mix engineers. Dan’s modern style of production stems from a desire to push the boundaries of musicians and the way we use audio technology.
Working on production for various albums and singles, sound design for films and online media, Dan is at the forefront of creative audio. Dan’s ear for detail and strong musicianship ensures that artists are put through their paces, always striving for performance thatexceeds expectation.
Seeking out a musical identity in each project, Dan will discover what makes an artist unique and push those qualities to the next level.
Dan is Pro Tools certified and teaches a variety of audio subjects at Collarts.
Annie Neil is a well-regarded vocalist and WAAPA lecturer who played the female lead in the rock musical Hair in Australia and New Zealand and was the female lead in the London Production of Jesus Christ Superstar.
Early in her career, Annie appeared in the BBC TV series We The Accused, opposite Ian Holm and has appeared in the Dublin Theatre Festival opposite Colm Wilkinson (Adam and Eve).
Annie has also been involved in recording work in London and toured with Steely Dan and Kikki Dee. She had a number one hit with her own group Fancy in the USA and has worked as a backing vocalist for Denis Waterman (soundtrack of Minder), Charles Aznavour, Roger Daltry, Jack Bruce, Sheena Easton and a multitude of others.
Since returning to Australia, Annie has performed with many visiting artists such as Lou Rawls, Tom Jones, Dionne Warwick, Joe Longthorne and James Brown. Annie is also a stalwart in the Perth Jazz scene and is a founding member of the vocal group the Jazz Divas. She was the vocal coach on the WA production ofBran Nue Dae and has performed on several occasions with the West Australian Symphony Orchestra.
More recently, Annie performed in her one-woman-show Heart And Soul and released a live-recorded album from a concert at the Perth Blues Club.
Clio Renner is a Melbourne born pianist, keyboardist, vocalist and songwriter. An up-and-coming solo artist, she is also fast becoming one of the city’s most sought after session players.
Clio grew up studying classical piano, moving into the world of jazz and improvisation through her studies at the Victorian College of the Arts, where she received several awards for outstanding academic performance. (The Lionel Gell Scholarship, The Marion Estate Trust and the Ivan Oliver Listening award.)
In 2015 Clio was approached to play keys in the house band for the SBS television show Rockwiz. Since joining the show, she has worked closely with some of Australia’s most respected musicians including Vika and Linda Bull.
Clio’s work as a session musician continues to develop; she played with the Deborah Conway band in 2015 and is currently a member of the Angus and Julia Stone touring band.
Clio has composed a large body of work for her solo project, Clio, over the last three years. The ‘genre-diversity’ in her song writing has placed her music in the Top 20 of the Triple J unearthed charts and led her to headline the Creative Vocal Series for the Melbourne International Women’s Jazz Festival in 2014. Clio is set to release her debut album in 2016.
Academic Support Officer / Sessional Lecturer, Critical Series
As Academic Support Officer, Camille supports students in developing (or brushing up on) their academic skills – everything from essay writing, to research skills, organisation and planning, referencing and academic honesty, and preparing for exams.
As a Sessional Lecturer for the Critical Series of subjects with Alicia Brown, Camille helps students to develop their critical thinking skills, and apply them to their understanding of music and art, and issues pertaining to the creative industries.
Camille is an innovative sonic artist, composer, and researcher with a diverse creative practice. He makes music, sound art, and sound design, independently and to commission for clients in film, theatre, dance, and museums. His work is informed by classical, punk, jazz, pop, electronic and avant-garde musics, acoustic ecology, musique concrete, deep listening, and conceptual art.
Camille recently completed his PhD project Listening Art, in which he made sonic artworks that encourage people to think critically about the act of listening, and the effect that listeners’ own past experiences and assumptions ultimately have on art as perceived.
Piano & Keys Teacher
Adam is a pianist and composer, originally from a jazz background, who has an interest in exploring the synthesis of jazz, funk, and more experimental music styles.
Adam has studied jazz piano with Steve and Bob Sedergreen, as well as Mark Soskin (Sonny Rollins), Laurence Hobgood (Kurt Elling) and Andy Milne (5 Elements, Dapp Theory). In 2003 Adam also received an advanced diploma of Music Performance from NMIT.
Adam’s major projects include his jazz trio, and the cinematic future-soul project Neon Bogart and the Minneapolis-style, jazz-fusion group Lake Minnetonka. Adam’s music also saw him tour across the UK, Europe and the USA in 2011.
For the past five years Adam has presented the jazz show Black Wax every Monday on Melbourne’s PBS 106.7FM. He has also worked as the musical director of Etta James tribute show, Heart of a Woman, and was musical director for A Soul Séance.
In 2014 he performed Game of Themes at the Melbourne Fringe, a one-hour solo piano concert of science fiction and fantasy TV and movie themes.
Karishma Sadhai has been performing since age four at various charity events for UNICEF in Melbourne. She was frequently involved in singing at public events throughout her childhood and was part of the choir that sang at Olympic Park for the Freedom Day Celebrations when Nelson Mandela was released from prison. Recognized as a natural talent, she first sang the South African National Anthem at the MCG at age 12 and again several times at Etihad Stadium for the South African cricket team.
She began studying a Bachelor of Music Performance – Jazz Improvisation at the Victorian College of the Arts at age 17, at which time she formed her own band and played corporate events, as well as several residencies at iconic Melbourne venues. Looking to expand her horizons, she moved to Ireland, where she toured around county Cork with a jazz trio and performed on national television with Susan McFadden (sister of Brian McFadden) and Michael Leonard who represented Ireland in the Eurovision Song Contest.
Since then she has recorded guest vocals on The Cat Empire’s Aria-Award-ward winning album, The Sun, as well as performing featured vocals on two studio albums for Aria-nominated Melbourne band Jackson Jackson and backup vocals with Dan Sultan for the critically acclaimed Maurice Frawley tribute album Long Gone Whistle. Several hip-hop records have benefited from her vocals, including Illy’s Pictures, which was in the JJJ’s Hottest 100, and Phrase’s critically-acclaimed album Clockwork. She also co-wrote and recorded Shining Bright, which was the theme song for the Delta Goodrem movie Hating Alison Ashley. Karishma has recorded her own original material with Jan Skubiszewski (Way of The Eagle) at Sing Sing Studios, which featured Daniel Merriweather and Harry Angus.
Karishma has toured all over Australia playing most major festivals including Byron Bay Blues & Roots Festival, Queenscliff Music Festival, St. Kilda Festival and also performed with Marva Whitney (backing singer for James Brown) at Falls Festival. She co-founded the Jayka Academy of Music, where she has drawn focus to providing students the opportunity to perform at big community events. In 2013 and 2014 students performed at the Summersault Festival main stage and were selected as the choir for the Melton Carols by Candlelight where they performed with a 30-piece brass band and backed singer Kane Alexander.
Karishma is a passionate and driven vocal teacher, who loves being surrounded by music and has been dedicated to music education for over 12 years.
Graduating from Full Sail University with a Bachelors Degree in Film, Andreyna Sanchez is an ardent lover of all things film and photography. Since she was young, she has had a camera attached to her hand and has enjoyed using friends and family for video and photo projects. A native Venezuelan, Andreyna has lived most of her life in the US and made her mark in New York City where she worked under famed portrait photographer Mark Seliger. After shooting for various clients such as Jose Bravo, Other Peoples Property and Neapolitan Express as well as working with multiple publications including PAPER Magazine, Andreyna made the move to Melbourne where she’s shot for local designers like Triangle of Bears, WITE the label, Living Doll, Minti Kidswear, and A Little Pocket to name a few.
A well-known photographer locally, she is a lifelong learner and enjoys studying new lighting techniques and different camera tricks. Andreyna has had multiple side projects including working as the Director of Photography on the “Suffocate My Heart” music video by the Jacob Jeffries Band.
Teaching Industry Project II, students will learn how to make a music video in her film class. If you’re interested in film or photography in the entertainment industry, be sure to ask for advice and help from her!
Entertainment Management and Audio Engineering Lecturer
Garth Sheridan is a Melbourne based musician, audio engineer, trainer and researcher. His work includes a range of electronic and dance music, audio sculpture and mixed media surround installation.
As a DJ and live act, he has performed festivals and clubs across Australia, New Zealand, Europe, UK and Africa. He has also performed or done sound design at Liquid Architecture, MONA, Stockholm Fringe, Spiegeltent and MidSumma. Garth’s works have also been incorporated in television soundtracks including Sunshine and Unplanned America.
He has also worked extensively in production and operations management for live music, theatre and performing arts venues across Melbourne.
Garth has taught audio production, project management, web design and music industry classes in universities and community spaces around Melbourne since 2010. He has a PhD from RMIT University and has published research on Electronic Dance Music, Angolan Popular Music and musical practice in diaspora communities.
Feature Writing Tudor
Wendy Squires has been a journalist and editor for more than 25 years, starting her career at News Ltd as a cadet journalist before working her way to magazines and television. She has been the editor of Cleo and Australian Style magazines and held senior roles on Who Weekly, The Australian Women’s Weekly, Madison and Woman’s Day. In 2000 she returned to News Ltd where she created the Body + Soul insert magazine, edited all News Ltd’s Olympic Games magazines and helped launch Fox Studios. She has also written for numerous titles including The Bulletin, Cosmopolitan, Good Health, Men’s Style, Mode, Shop, People and ELLE. In 2009 her novel, The Boys’ Club, was published, based on her year as the Publicity Director at Network Nine. Today, she writes a syndicated opinion column for The Age, freelances for many magazines and websites, appears as a commentator on Sky News and ghost authors biographies for PanMacmillan. She is also writing her second novel.
Entertainment Management Teacher
Andrew Watt is vastly experienced in many areas of the music and entertainment business. He is a practicing intellectual property, entertainment and media lawyer with Melbourne firm Madgwicks.
Previously Andrew has had an exceptional career, being the founder, editor and publisher of street press publication InPress, a music publisher with the Paul Dainty Corporation, an artist manager of high profile acts in both Australia and the US, a television producer with multiple network credits, including Executive Producer of the series Rock Soldiers (an observational documentary on the Australian concert touring world) and a music journalist and commentator. Andrew’s writing on music and the music industry currently appears regularly in The Age, The Sydney Morning Herald, national music magazine Rhythms and industry website The Music Network.
Andrew is also the author of Welcome To The Jungle – Navigating the Music Business In Australia (2014), a 570 page anecdotal textbook for the music business in Australia.
Teacher in Performance Forum, Ensemble, Vocals, Logic, Production
Best known as an accomplished singer and songwriter for pop/rock/harmony band Taxiride, Tim is also a producer, multi-instrumentalist and programmer.
Tim has won an ARIA Award, had Number 1 & Number 5 albums, 7 singles in the ARIA Top 40 Charts and Number 2 & Number 15 songs in the ARIA Club Charts. Two of his songs have been the most played songs on Australian Radio in 2000 & 2003 against local and international recordings.
Tim has performed extensively in Australia and overseas including multiple tours of Japan and the USA and a
Tim written music for television and film including Neighbours and Reef Doctors; composed music for online campaigns such as Mazda & Quit Victoria; and produced music for other artists from independent releases to Australian Idol competitors; and vocally produced an album for The Voice Kids.
With indie/electronic band Friends Of Mine, Tim toured Australia, had successful sync’s
Outside of music Tim has reviewed movies for commercial radio, hosted multiple programs on community radio, been a voiceover artist, acted in independent films, performed Improv Comedy, been a scriptwriter, shot and edited corporate videos and copy-written for corporate campaigns.
Entertainment Management Teacher
Penny Weber is a music business entrepreneur who has run businesses ranging from music industry recruitment agencies to artist management. Penny’s management business has looked after the careers of: True Live, The Raah Project, Paris Wells, Josh Abrahams, Describe Eliza, Quadraphonic, The Grand Silent System (Shock), The Sound Movement, Virtue, Offcutts (Rubber), Lindsay Gravina (producer at Birdland Studios), Irwin Thomas (Jack Jones) to name a few. She has also worked in music licensing and film.
Penny has created, facilitated and run local and national education programs, conferences, forums, workshops, masterclasses and online seminars on business practice within the music industry. She has worked as the Professional Development Manager of a Music Industry Advisory body and as the director of the Digital Entertainment Program Plug In Summit and recruitment agency Cover Your Artz.
Penny has contributed to the film, music, digital and education industries as an artist manager and arts administrator for the music business sector. Her roles have varied from working with film composers (Cezary Skubiszewski), record companies (Standard Records RCM International/Standard Music Publishing), industry associations, artists (Jam Packed Entertainment), Venue Bookers (Indie Initiative at Metro Nightclub) and music producers (Lindsay Gravina of Birdland Studios). Her experience in film has been as a producer/ music supervisor for independent production company, Truncated Pictures on the film Verite – taking it to Cannes Film Festival in 2007.
She has a Bachelor of Performing Arts from Monash University, Masters in Business Administration (Executive) and Masters of Commerce from RMIT.
Vocal and Songwriting Teacher
Melodic architect and soulful crooner Ainslie Wills has been writing and performing her brand of progressive pop within Australia since 2007, when she was unearthed by Triple J not long after finishing her Bachelor of Music Performance degree at the Victorian College of the Arts.
Her 2013 album, You Go Your Way, I’ll Go Mine was nominated for the Melbourne Music and Australian Music prizes and has received ongoing critical acclaim. Rolling Stone claimed it “a beguiling debut” and Dom Alessio from Triple J described it as “A dark, moody and self-assured first record.” Her most recent offering Oh The Gold was featured on BBC6, ABC Radio National, PBS 106.7, RRR and Bandcamp Weekly. The first single off the album, Drive, was added to full rotation on Triple J.
Over the last 10 years, Ainslie has been lucky enough to perform alongside the likes of Leon Bridges, Hiatus Kaiyote, Lianne La Havas, Missy Higgins, Bernard Fanning, John Butler, Clare Bowditch and Michael Kiwanuka. More recently, Ainslie teamed up with Tom Iansek of Big Scary and #1 Dads fame to co-write the single So Soldier on the AIR nominated album About Face.
In addition to writing and performing Ainslie has worked as a vocal coach and music industry mentor for the past 12 years and loves to share and exchange information with like-minded, passionate music lovers.
Belinda is an improvising musician/composer living in Melbourne, Australia. A recent PhD graduate of the VCA, Belinda was awarded a Creative Victoria Scholarship for excellence in 2015, was a recipient of an APA from 2011-2013 and a finalist in the 2011 APRA Professional Development Awards. Artistic director of the Make It Up Club from 1993 – 2007, and Project Manager for the Click Clack Project and Jolt Arts 2010-16, Belinda has played a significant role in supporting and enhancing the development of the Melbourne music scene.
Predominantly a flautist, Belinda performs as a soloist and appears in many ensembles including her own groups Lo-Res (six piece chamber jazz) and Saveja (flute and harp duo), Tim Pledger’s Bohjass – of which Belinda has been a member for 20 years, and the BOLT Ensemble – dedicated to performing the music of composer Dr. James Hullick. As a soloist Belinda has developed an array of extended techniques which she utilises in performances as an improviser and an interpreter of music. She has been invited to perform in Festivals across Australia, Japan and Europe as well as independently curated events across Australia. Belinda’s work as a session musician has seen her record with many outstanding artists of various genres including pop legend Cat Power, songwriters Ned Collette and Martin Mackerras, composers Kate Neal, James Hullick and Tim pledger as well as sound artists Philip Brophy and Graeme Croft.
Belinda explores the use of texture and contour within her compositions and improvisations to paint scenes of rich complexity, focusing on the acoustic nature of her instrument. Belinda also extends her abilities towards the composed music of the 20th and 21st centuries, the structure and innovation of which she draws into her own improvising and composition.
Selena provides support to students, maintains student records and is responsible for reporting to government agencies. Selena also maintains My Collarts and oversees student services at the college.
Selena began working at Collarts after moving from New Zealand to Australia to 2012. She has a Diploma in Audio Engineering and Music Production from the Music and Audio Institute of New Zealand (MAINZ), where she was then employed as a casual tutor and student support coordinator.
Selena also has experience as a live sound engineer for New Zealand artists such as Chris Knox and The Nothing, The Sami Sisters and Hollie Smith.
Head of Marketing
As Head of Marketing at Collarts, Vanessa is passionate about recruiting and educating the entertainment industry’s next generation of leaders, contributors and renegades.
Vanessa joins the Collarts team after working in marketing and event management for some of the world’s biggest and best arts organisations, including the Edinburgh Fringe, Adelaide Festival, Melbourne Symphony Orchestra and Melbourne International Film Festival. She’s lead successful marketing strategies for the likes of Philip Glass, John Cale (Velvet Underground), Ariel Pink, The Jon Spencer Blues Explosion, Australian Dance Theatre, Back to Back Theatre Company, the rarely-performed Mahler 8, and the Age Music Award-nominated, Supersense Festival.
Future Student Manager
Claire is one of the lucky ones you speak to before you start at Collarts. Working closely with careers advisors, high school music teachers, VET program leaders, and incoming students, Claire will prepare you for everything you need to know about the college and its courses.
Hailing from Nashville, Tennessee, Claire obtained a Bachelor of Business Administration in Music Business and Business from Belmont University and studied abroad at the University of Melbourne where she discovered the incredible Melbourne music scene. Before moving back to Melbourne permanently, she interned with three Nashville-based artist management companies while working on concerts and events at the Curb Event Center.
Prior to starting at Collarts, Claire worked for a Melbourne entertainment agency. Booking local music acts and DJs gave her great insight into the growing industry in Melbourne and a passion for finding talented students and helping to launch their careers.
You’ll usually find her listening to bluegrass music, attempting to garden, or petting every dog in sight.
Marketing Campaign Manager
With a background in media and education marketing, Jesse joins Collarts as Marketing Campaign Manager. His career has traversed the Tasman, working with The Radio Network (NZ), Mediaworks (NZ), Seven Network and Deakin University. Jesse’s work has been recognised with multiple national industry awards and nominations, including the AMI Awards for Marketing Excellence and New Zealand Radio Awards.
While musically inept himself, this hasn’t stopped Jesse from indulging his passion for music – attempting the guitar, drums, trumpet and tuba before eventually resigning to appreciating the work of those more talented. Since moving to Melbourne, Jesse has found himself spoilt for choice, becoming an avid fan of the local music and arts scene.
Lauren is your go-to girl once you’ve decided that Collarts is the place you want to study. She is one of the first people you will speak with on your journey towards enrolling at Collarts. Most interviews and/or auditions for the courses take place with Lauren before she gives you a tour of one of our fantastic campuses. She will guide you through the enrolment process and makes sure settling into life at Collarts is as easy as possible.
Originally from Manchester, England, Lauren graduated from the University of Central Lancashire and worked in both recruitment and education before joining the Collarts family. She has recently made the big move to Melbourne after spending time in both Perth and Adelaide. However, the arts and music scene of Melbourne sparked Lauren’s interest and she couldn’t stay away.
Her passion for music has always been apparent as displayed by the wide array of instruments she’s laid her hands on including: piano, flute, and more recently guitar. Aside from music, Lauren also loves traveling, scuba diving, painting, and a delicious cup of Melbourne coffee.
Librarian & Academic Skills Manager
Sara has always been a very keen music listener, a pretty tragic musician but a big supporter of all things music. Sara has been involved in SYN fm and SYN tv and has DJ’d at pubs around Melbourne, until she became a “grandma” and couldn’t handle the late nights anymore. This is when she decided to get into the library field. Sara has a diploma in Library Studies from Swinburne and worked for Melbourne Polytechnic libraries until becoming the Librarian and Academic Skills manager at Collarts. Sara is your go to girl for anything related to the library including academic support and you’ll find her in the ever growing library!
Need help finding a book? Or assistance with essay writing or research? Don’t hesitate to ask! You’ll usually find her at our South Melbourne campus on Monday, Wednesday and Friday and at the city campus on Tuesdays and Thursdays.
Student Progress Coordinator
Recently Meg has been galavanting around the globe and has just returned from living in London for the past couple of years.
After seeing every possible band and attending every possible music festival she could overseas, Meg decided to head back to her hometown in Melbourne and she couldn’t be happier that she has joined the Collarts family.
Need help with your timetable? Special Consideration? Someone to talk to about the most recent Bachelor episode? Meg is ready and willing to help you with everything you need. Not sure who to ask? Meg probably has your answer.
VETis Compliance Manager
Ben Fitzgerald is a musician who has worked in Creative Arts teaching and Education management for over 20 years in the Vocational Education and Training (VET) sector. He holds a B.Ed. (Creative Arts), a Grad. Dip. in Contemporary Music Technology, a Masters in Applied Music & a Cert IV in Training & Assessment.
Ben is a guitarist/singer who has taught Songwriting, Music Performance, Theory & Aural Training and Sound Production from Certificate IV to Degree level. He has managed Cert IV to Diploma level courses in Live Production, Music, Broadcast TV, Graphic Design, Motion Graphics, Dance and Fashion. As a musician, he has appeared on television and in live theatre, composed music for film & advertising and has played in numerous bands since the age of 17.
Having recently taken on the role of Compliance Manager at Collarts, he is now managing an extensive Vocational Education & Training in Schools (VETIS) program involving more than 56 schools and 1200 students across 4 states.
Future Student Advisor
Jake started working with Collarts in 2017 after working in a similar role for JMC Academy. He has completed bachelor degrees in both Fashion and Psychology in Marketing. Prior to working in education, he worked in the Australian fashion industry as a buyer and design assistant.
Anne Lighthart completed a Post Grad in Holistic Counselling and Psychotherapy in 2013 and is now a Clinical Psychotherapist. In 2018 she is in her fifth year of a second Post Grad Certification as Anthroposophic Psychotherapist. All of Anne’s training is oriented in the arts and utilises artistic methods in practice.
As well as working for Collarts in their Wellbeing department, Anne works with the Magistrate’s Court as a psychotherapist for victims of crime. She also teaches Mindfulness in schools, is an EMDR practitioner (working with traumatic memories) and manages a small drug and alcohol facility.
She has two children, 18 and 22 years, and is a professional scuba diver; she enjoys diving in the tropics on the holidays and has a daily practice in yoga.
Content & Social Media Coordinator
Joining the Collarts team in late 2017, Monique is an online content creator with growing expertise in digital communities, editorial development and storytelling. Her passion lies in creating high-quality content, both across digital and social media, that celebrates the malleability of communication and her love for music, media and popular culture. She is extremely dedicated to building communities and thrives when translating creative ideas into clear, accessible writing.
Equipped with a Bachelor of Communication (Media), she has worked for the past four years as an editor, social media manager, video producer and writer for VICE, Madman and Speaker TV to name a few. With creativity at the heart of her content creation, Monique also pursues writing and music journalism; her freelance editorial works appearing in VICE, Gusher Magazine, i-D, Noisey, Madman, LISTEN and Pilerats amongst others.
When Monique isn’t creating content for Collarts, she’s watching multiple anime series, curating Spotify playlists and petting every single dog that walks her way.
Industry Partnerships and Experience Manager
Jade grew up in country Victoria and started out working on events through the Freeza Committee and Youth Council in Shepparton. She cut her teeth working at the local music venue, Yahoo Bar, assisting with band booking, working the door, and manning the merch desk.
In 2007, Jade moved to Melbourne and completed her Bachelor of Arts Degree in Music Business at RMIT in 2010. During her time at RMIT, she interned and volunteered at any opportunity possible, working heavily in band booking, publicity, festival work and artist management.
Since completing her degree, Jade has event managed over 300 weddings, parties and corporate events. She has assisted with booking gigs at venues including: the Evelyn, the Birmingham, the Curtin and the B.East and has worked extensively in publicity for festivals, touring artists and pop-up food and wine events. In 2011, she did a stint in London, working in logistics and operations for Secret Garden Party Festival as well as running social media integration for UK artists at Good Lizard Media. In 2014, Jade was the event manager for Big Hearted Business (founded by Clare Bowditch) and has worked on numerous national and international festivals in roles including stage managing, logistics and operations, merchandise management, artist liaison, and staff & volunteer coordinating.
Jade is extremely passionate about supporting the local, live and independent music scene in Melbourne. Her favourite venue is the Old Bar, her favourite community radio station is Triple R and her favourite festival is Boogie. She is a staunch Megahertz supporter when it comes to the only footy game she watches each year, Reclink’s Community Cup.
Wellbeing Support and Counsellor
Sarah Pant completed a Bachelor degree in music theatre at the Western Australian Academy of Performing Arts (WAAPA) in 2002. She worked as a voice over artist in Melbourne before moving to the UK where she devised theatre for young people, created and toured theatre projects and performed as part of a cabaret duo in London. Sarah has shared her theatre and musical skills through a variety of creative workshops within corporate groups, schools and youth justice services throughout Europe and Australia.
Sarah also works as a holistic psychotherapist, facilitator and trainer. Her key areas of expertise and interest lie in group facilitation, conflict work and the creative dynamics and process of change. She has worked with groups and individuals in private practice and within organisations supporting client’s capacity to conduct healthy and skilful conversations and engage positively with challenging situations.
Sarah is an experienced holistic psychotherapist and NLP practitioner and draws from her many years of involvement in the community sector within psychosocial rehabilitation and early intervention programs. As well as teaching at Collarts, Sarah works in private practice and as a Senior Consultant at CLE Consulting. She also teaches at The Metavision Institute, offering training and seminars to psychotherapists and is a trainer of the Teachers Empowered program, a professional development program for teachers and social workers.
Reception and Registrar Assistant
Amanda is the first face you’ll see when you enter the South Melbourne campus. Happy to help with any questions you have and direct you to the right people, she is here to spread the Collarts’ vibe with good tunes and lollies.
Amanda has enjoyed music from a young age, influenced by her English parent’s obsession for 60 and 70s UK rock n roll (her Dad) and 70s folk and 60s soul (her Mum). A dancer from four years old, Amanda has always had rhythm but is pretty useless with a musical instrument- a great disappointment to her Year 6 Piano teacher. Originally from Adelaide (and proud of it), Amanda moved over for a change in lifestyle and to experience the awesome music and social scene of Melbourne.
Her experience is pretty varied from fashion and events to travel. With a Bachelor degree in Film and Literature, she ventured into communications for a while in between travelling around the world. If she isn’t talking to you about the campus and your classes, then it will be about music, travelling and her dog Boo Radley.
Laura is delighted to join Sarah on the Well-being student counselling team at Collarts in 2017. She brings to her role as a counsellor over 20 years of experience working face to face with clients experiencing the broad spectrum of challenges facing young people today. She can assist you to build confidence, improve self-esteem, manage performance anxiety, social anxiety, mood disorders, procrastination and relationship issues. Laura is a qualified Family Therapist and works for LifeWorks Family Relationship Centre (6 years) counselling individuals, couples and families.
Laura studied Music, Drama and Fine Arts at Flinders University and Indian Studies and Music at Melbourne University so understands how daunting it can be embarking on a career full of excitement and trepidation. She lived in India in the Himalayas as a young woman and was influenced by the spiritual traditions of the region, particularly Tibetan Buddhism. She became a yoga and meditation teacher and incorporates the techniques of ‘Mindfulness’ into her counselling. Upon her return to Australia, she qualified as a Shiatsu Therapist and Oriental Medicine practitioner teaching in colleges in Sydney and Melbourne and founded and directed complementary medicine clinics in Melbourne. During the 1990’s Laura became interested in how physical symptoms were linked to emotional and psychological imbalance and proceeded over the next two decades to explore mind/body holistic psychotherapies. She works in private practice and in non-government organisations. She is also an educator/coordinator of programs in Parenting and Mens Behavioural Change Facilitator.
Laura specialises in relationship counselling, enhancing intimacy and connection, working from a strength-based, solution-focused approach using process-oriented techniques, EFT, ACT, and secure attachment theories. She is currently broadening her counselling practice for those interested in discovering the archetypal patterns, stories, myths and themes influencing their lives, replacing unproductive life patterns by awakening unrealized potential. Laura is married with two adult children, wants to continue travelling our planet and still imagines she can dance like a ballerina!
Grad Dip in Family Therapy (Swinburne University)
Certs in Counselling and Reconstructive Psychotherapy (Cairnmillar Institute)
Cert 1V Workplace Trainer & Assessor
Laura is a clinical member of ACA (Australian Counselling Association)
Sessional Tudor & Student Services Manager
Jake Vorbach has always had a strong passion for music and that has spilled through in the various projects and activities he is a part of. He completed his Bachelor Degree in Audio Production here at Collarts and has since been instrumental in running Mix Days as part of our VET Music Program. Jake is the one who keeps the Brady Street campus open on weekends, making sure students can get that much needed recording time in at the studios.
On top of ensuring the campus is always accessible, Jake is also teaching a few audio classes and the Basic Live Sound elective.
He’s a regular at gigs around Melbourne, loves making electronic music and unwinding with the odd video game.
Brunswick St Campus Supervisor and Music Theory Tutor
Jack is an alumnus of the Collarts Music Performance degree, having graduated in 2014. He is a versatile multi-instrumentalist specialising in electric guitar.